Monday, October 13, 2008

How Much Info is Too Much Info?

Posted by It’s hard not to watch the news on the financial markets and the presidential campaign. But how much is too much? Story in the NYT.

Towards information for all, posted by Blake

An international conference held this week at the Bibliotheca Alexandrina highlighted the role of libraries in meeting the challenges of the formation age, writes Heba Sharobeem :

In a new millennium where the importance of equal treatment, respect and tolerance of the "other" is frequently highlighted, we nevertheless find such slogans shattered in reality and cultural misunderstanding proliferating in the media around the world bringing about feelings of hostility and intolerance. We also see how anti-terrorism legislation and national-security concerns have caused chilling effects on freedom of speech and decreased access to information.

Wal-Mart's DRM Nightmare Just Won't End

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Wal-Mart has decided to keep the music that it sold wrapped in a layer of copyright protection playable, following a flurry of customer complaints about legally purchased music becoming unplayable. The probably wishes it had never tangled with digital rights management, because it's going to keep paying for it long after its switch to selling DRM-free MP3s.

An e-mail sent to Wal-Mart digital music store customers said the company will continue to support the DRM-ed song files sold on walmart.com starting in 2003. The e-mail reversed last month's announcement that Wal-Mart would shut down the servers that authenticate the copyright protected music it no longer sells. Unfortunately, doing so would render all protected music purchased from the store in the past five years unplayable.

A Rare Personal Library

Browse the Artifacts of Geek History in Jay Walker's Library

By Steven Levy Email 09.22.08
From King James to James Bond, Chaucer to Sputnik, a personal library like no other.
Photo: Andrew Moore

The View From Above Looming over the library is an original Sputnik 1 satellite, one of several backups the Soviets built. At far left is a model of NASA's experimental X-29 jet, with forward-swept wings. "It's the first plane that a pilot can't fly—only computers can handle it," Walker says. On the top of the center shelves are "scholar's rocks," natural formations believed by the Chinese to spur contemplation. Behind the rocks is a 15-foot-long model of the Saturn V rocket.

Nothing quite prepares you for the culture shock of Jay Walker's library. You exit the austere parlor of his New England home and pass through a hallway into the bibliographic equivalent of a Disney ride. Stuffed with landmark tomes and eye-grabbing historical objects—on the walls, on tables, standing on the floor—the room occupies about 3,600 square feet on three mazelike levels. Is that a Sputnik? (Yes.) Hey, those books appear to be bound in rubies. (They are.) That edition of Chaucer ... is it a Kelmscott? (Natch.) Gee, that chandelier looks like the one in the James Bond flick Die Another Day. (Because it is.) No matter where you turn in this ziggurat, another treasure beckons you—a 1665 Bills of Mortality chronicle of London (you can track plague fatalities by week), the instruction manual for the Saturn V rocket (which launched the Apollo 11 capsule to the moon), a framed napkin from 1943 on which Franklin D. Roosevelt outlined his plan to win World War II. In no time, your mind is stretched like hot taffy.


Jay's Anatomy "What's so wonderful about our knowledge of the human body is how remarkably constrained it has been over time," Walker says. In the center of the table sits the Anatomia universa, an early-19th-century medical masterwork by the Italian illustrator Paolo Mascagni. At front right is a field tool kit for Civil War surgeons. Grasping the box of prosthetic eyeballs at left is the original "Thing" hand from the TV show The Addams Family, signed by the cast. In front of the 19th-century phrenological bust is a book, from about 1500, containing the first published illustrations of surgery on humans. "Pre-anesthesia, of course" Walker says. At the rear are a 300 million-year-old trilobite fossil, a raptor skeleton, and a clutch of fossilized dinosaur eggs.

Wearing a huge can-you-believe-it grin is the collection's impresario, the 52-year-old Internet entrepreneur and founder of Walker Digital — a think tank churning out ideas and patents, it's best-known for its lucrative Priceline.com. "I started an R&D lab and have been an entrepreneur. So I have a big affinity for the human imagination," he says. "About a dozen years ago, my collection got so big that I said, 'It's time to build a room, a library, that would be about human imagination.'"

Walker's house was constructed specifically to accommodate his massive library. To create the space, which was constructed in 2002, Walker and architect Mark Finlay first built a 7-foot-long model. Then they used miniature cameras to help visualize what it would be like to move around inside. In a conscious nod to M. C. Escher (whose graphics are echoed in the wood tiling), the labyrinthine platforms seem to float in space, an illusion amplified by the glass-paneled bridges connecting the platforms. Walker commissioned decorative etched glass, dynamic lighting, and even a custom soundtrack that sets the tone for the cerebral adventures hidden in this cabinet of curiosities. "I said to the architect, 'Think of it as a theater, from a lighting and engineering standpoint,'" Walker says. "But it's not a performance space. It's an engagement space."


Planetarium The massive "book" by the window is a specially commissioned, internally lit 2.5-ton Clyde Lynds sculpture. It's meant to embody the spirit of the library: the mind on the right page, the universe on the left. Pointing out to that universe is a powerful Questar 7 telescope. On the rear of the table (from left) are a globe of the moon signed by nine of the 12 astronauts who walked on it, a rare 19th-century sky atlas with white stars against a black sky, and a fragment from the Sikhote-Alin meteorite that fell in Russia in 1947—it's tiny but weighs 15 pounds. In the foreground is Andrea Cellarius' hand-painted celestial atlas from 1660. "It has the first published maps where Earth was not the center of the solar system," Walker says. "It divides the age of faith from the age of reason."


Inspiration Point Walker frequently meets with the Walker Digital brain trust in the seating area of the library, hoping to draw inspiration from the surroundings. Artist Clyde Lynds (known for integrating fiber optics into his work) created the intricate illuminated glass panels and many other visual elements. Walker himself designed the Escher-like tile floor, modeled after a tumbling block pattern from the Victorian age. He bought the chandelier (seen in the Bond film Die Another Day) at an auction and rewired it with 6,000 LEDs. The open book on the table features watercolor illustrations for an 18th-century papal palace that was never built. The globe has special meaning for Walker: "It was a wedding gift Eileen and I received in 1982."


Reading Room In the foreground are several early-20th-century volumes with jeweled bindings—gold, rubies, and diamonds—crafted by the legendary firm Sangorski & Sutcliffe. On the table (first row, from left) is a 16th-century book of jousting, a Dickens novel decorated with the author's portrait, and (open, with Post-it flags) an original copy of the 1493 Nuremberg Chronicle, the first illustrated history book. Second row: the 1535 Coverdale Bible (the first completely translated into modern English), a medieval tome with intricate illustrations of dwarfs, a collection of portraits commissioned at a 17th-century German festival ("Facebook in 1610!"), a tree-bark Indonesian guide to cannibalism, and a Middle Eastern mother goddess icon from around 5000 BC.

Walker shuns the sort of bibliomania that covets first editions for their own sake—many of the volumes that decorate the library's walls are leather-bound Franklin Press reprints. What gets him excited are things that changed the way people think, like Robert Hooke's Micrographia. Published in 1665, it was the first book to contain illustrations made possible by the microscope. He's also drawn to objects that embody a revelatory (or just plain weird) train of thought. "I get offered things that collectors don't," he says. "Nobody else would want a book on dwarfs, with pages beautifully hand-painted in silver and gold, but for me that makes perfect sense."

What excites him even more is using his treasures to make mind-expanding connections. He loves juxtapositions, like placing a 16th-century map that combines experience and guesswork—"the first one showing North and South America," he says—next to a modern map carried by astronauts to the moon. "If this is what can happen in 500 years, nothing is impossible."


Gadget Lab A brand-new One Laptop per Child XO, far left, sits next to a relatively ancient RadioShack TRS-80 Model 100. In back, a 1911 typewriting machine and a 1909 Kent radio. The large contraption at center is the Nazis' supposedly unbreakable Enigma code machine. The book to its left is a copy of Johannes Trithemius' 1518 Polygraphiae, a cryptographic landmark. On the right is an Apple II motherboard signed by Woz. An Edison kinetoscope sits beside an 1890 Edison phonograph (along with three of the wax cylinders it uses for recording). Nearby is a faithful copy of Edison's lightbulb. The gadget with the tubes is an IBM processor circa 1960. In front of it stands a truly ancient storage device, a Sumerian clay cone used to record surplus grain.

Walker struggles to balance privacy with his impulse to share his finds with the outside world. Schoolchildren often visit by invitation, as do executives, politicians, and scholars. Last February, the organizers of the TED conference persuaded him to decorate their stage with some of his treasures. But he's never invited any press in to see the collection—until now.

Senior writer Steven Levy (steven_levy@wired.com) profiled sci-fi author Neal Stephenson in issue 16.09.

Harry Potter books vanish from libraries

Posted by Blake

MORE than 100,000 books worth a total of £600,000 have been stolen from libraries in Wales in just two years, the Western Mail can reveal today.

Children’s books, novels and health books have been among those stolen or never returned to branches across Wales.

TextBook Torrents Turns The Final Page and Closes Down

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From relative obscurity, Textbook Torrents, the world’s largest BitTorrent index of textbooks, found itself in the world spotlight during July 2008 and was forced to close down by its host. The site returned weeks later, growing massively in the process, but now, just a couple of months on, the site has closed for good.

Full article here

Wednesday, October 08, 2008

Bad News on Literacy from the United Nations

Things aren't improving fast enough or far enough, particularly in Sub-Saharan Africa and parts of Asia, and particularly among women.

U.S. First Lady Laura Bush was at U.N. headquarters in New York Tuesday to spotlight the need for improved literacy. The statistics are daunting, 774 million people worldwide cannot read and write. Two-thirds of them are women. Seventy-five million children do not attend school. And in Africa, only 61 percent of adults can read and write, compared with the world average of about 82 percent.

More from the Voice of America.

Tuesday, September 30, 2008

Judy Blume speaks to BBC

American author Judy Blume recently spoke to the British Broadcasting Corporation and that interview wound up in their compilation podcast known as Global Arts and Entertainment. The time marker for the start to the interview is 22:08. Blume spoke about issues ranging from book challenges to the present presidential election contest and motivations behind writing.

The website for the podcast is available at the BBC's podcast portal. As the BBC World Service has not broadcast any shortwave signals to North America and the Pacific since the summer of 2001, this is a way to access such without a subscription to satellite radio. Some NPR stations carry parts of BBC World Service programming as can be seen here. Online streams are also available.

The Young Library: Two books celebrate joy of libraries

By Rebecca Young - McClatchy Newspapers

Tuesday, September 30, 2008

In times when the bills give moms and dads forehead wrinkles and stomach knots, the public library remains a happy place.

It's where to find brand-new hardback books, DVDs, magazines and CDs full of music to chase those money worries away. It's all absolutely free – as long as you get them back by the due date.

It's never too early to begin teaching youngsters the joys of the library. Here are two new books to help.

"Our Library" by Eve Bunting unfortunately reflects what's going on in many communities. Government budgets are tight, and libraries often take the fall. Let's hope for real-life endings as happy as the one in this story.

In a cheery little animal village, Miss Goose stamps Raccoon's book and whispers that the library is about to close forever.

It's too old; it needs a new roof and paint.

Raccoon and friends check out books on roofing and "Library Painting for Beginners." Soon the library has a perfect roof and new buttercup-yellow paint with sky-blue trim.

Then Miss Goose presents another obstacle. There just isn't enough money to run the place. Back to the books: "How To Make Money Fast." Bake sales, art sales and candy sales raise a lot of money, but then they find out from Miss Goose that Goat wants to sell the property the library sits on.

Not surprisingly in this storybook land, there are books in the library and solutions to be found for that problem and all the ensuing ones, including "How to Speak Wisely & Well to Grumpy Old Beavers." (That's who owns the perfect spot the animals find for the library.)

Maggie Smith provides colorful illustrations with lots of detail. There's a fun one where the library is perched atop a long red wagon with a long line of villagers pulling it by rope up a grassy hill.

Bunting emphasizes that libraries are good places to go for information, and she and Smith depict reading as a pleasurable activity throughout.

Also, while youngsters might not be able to physically move libraries, they can begin getting involved in their communities.

"It's Library Day" by Janet Morgan Stoeke is set at a school, but Stoeke captures a universal excitement over a visit to the library and finding the just-right book.

The text is simple, with rhymes and repetition that will engage young children.

"Ernesto Flores loves scary stories.

"And he smiles when he hears that it's library day."

The pictures are wonderful, depicting a diverse group of cute kids. The first illustration of scary-story Ernesto shows him reading in a tent in his room by the light of a headlamp. He has a stuffed dog under his arm and a Frankenstein doll at his side.

The school librarian is curly-haired and energetic-looking, not bespectacled and mousy. Hooray.

MyTurn: Protecting privacy rights in libraries

By Judah Hamer • September 24, 2008

We appreciate Eileen Haupt's commitment to her family and to libraries evidenced by her opinion piece, "My Turn: Safety trumps libraries' privacy" (Aug. 16). However, we wish to correct some misleading information regarding the new Vermont law protecting the privacy of library records. The new law is not about usurping parental control, and librarians do not consider parents "the enemy."
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Respect for patron privacy is a fundamental value long recognized in the library code of ethics, and in federal and local legislation and case law. For decades, Vermont has exempted library records from disclosure under the public records act. However, conflicting interpretations of the public records exemption highlighted the need for clarification. The new law makes it clear that patron records are confidential and can be shared with a third party only in response to a judicial order or warrant. It protects the right of Vermonters to freely seek information with protections granted in more than 40 states.

The law also allows a library to release information to custodial parents of patrons under age 16, a compromise reached by legislators after hearing a variety of viewpoints from parents. Librarians have always encouraged parents to be involved in their children's use of the library, to talk with them about what they're reading, and help them choose appropriate materials. Nothing in the new law prevents that. But sometimes children and youths must deal with serious issues -- like child abuse, alcoholic parents, or health questions -- and they need good information. We want them to be comfortable getting that information in the library. That's why the Vermont Library Association advocated for privacy protection for patrons of all ages.

In her letter, Ms. Haupt suggests that librarians impeded the Brooke Bennett investigation. The truth is that librarians were eager to assist the police, and we are deeply troubled by the way events unfolded. When a detective first arrived at the library at 4:30 p.m. and asked to take library computers, the librarian informed him of the library's board-approved and legally binding policy, which required a valid court order to release public computers. The officer agreed and said he would go obtain the order. Instead, he returned with four additional police officials and proceeded to argue for an hour with the librarians and the library board chair, employing tactics that clearly violate the core values of the Vermont State Police. The police officials left and finally returned at 11 p.m. with a court order.

The Bennett case raises important questions: Why didn't the officer obtain a court order before going to the library? Why did five police officials waste valuable time trying to intimidate librarians into violating a legally binding policy? And after leaving the second time, why did it take the police so long to secure a court order when a judge is always available?

Librarians are entrusted with protecting the private information of thousands of innocent community members who use library computers. When law enforcement officials believe they need access to information, it is their responsibility to seek the approval of a judge who can make a rapid, impartial decision about constitutional matters that protect all of us: due process, probable cause and privacy.

In a library, the right to privacy means the right to open inquiry. Individuals must be able to seek information about any subject without fear of judgment, criticism or scrutiny of others. Freedom of speech is meaningless without the freedom to receive information; they are the underpinnings of a healthy democracy. While many Vermont libraries already provided confidentiality protection, the new law provides greater assurance to patrons across Vermont that their reading habits and research interests are private matters that they alone can decide to share with others. It's just one of the many ways we continue to serve our communities.

Judah Hamer of Cornwall is president of the Vermont Library

1TB of free online media storage via Oosah

Need someplace to store the massive number of pictures, videos, and other media files that have accumulated on your computer? You can always use a service like Flickr or YouTube, but wouldn't it be nice to have it all in one place? A relatively new player in the media storage game, Oosah, offers 1TB for media storage. Yes, 1TB. Here's the limits on what you can upload:

There are some limitations. You can only upload videos that are 200MB or smaller, images that are 50MB or less, and MP3 files that are 9MB or less. And you can't upload executable files, office documents, or other files.

Here is a word of warning from DownloadSquad though (the above limits also came from DownloadSquad):

One word of warning. When I signed up I had to check a box that said I agreed to Oosah's privacy policy. But there was no clear link to said policy. A quick Google search turned up a list of terms and conditions which also makes mention of a separate privacy policy. But it's nowhere to be found.

Learn a language from Busuu

There's another new language site out on the web, called Busuu. This one with a little bit of a twist in that it incorporates a social aspect to the site.

Via Lifehacker here's a brief bit of info about it:

Language education site Busuu emphasizes the social side of learning a language. While Busuu has standard components such as vocabulary exercises with audio and writing units to test out your composition, the most interesting aspect is its ability to connect you with both people learning your language and native speakers of your language. You're learning Spanish and someone else is learning English.

A quick look shows it is a relatively simple service and a good way to get an introduction to a new language. By no means is it comprehensive, but with the social aspect theres a chance to connect to others and go beyond the basics.

Friday, September 19, 2008

Online Literacy Is a Lesser Kind

Slow reading counterbalances Web skimming

By MARK BAUERLEIN

When Jakob Nielsen, a Web researcher, tested 232 people for how they read pages on screens, a curious disposition emerged. Dubbed by The New York Times "the guru of Web page 'usability,'" Nielsen has gauged user habits and screen experiences for years, charting people's online navigations and aims, using eye-tracking tools to map how vision moves and rests. In this study, he found that people took in hundreds of pages "in a pattern that's very different from what you learned in school." It looks like a capital letter F. At the top, users read all the way across, but as they proceed their descent quickens and horizontal sight contracts, with a slowdown around the middle of the page. Near the bottom, eyes move almost vertically, the lower-right corner of the page largely ignored. It happens quickly, too. "F for fast," Nielsen wrote in a column. "That's how users read your precious content."

The F-pattern isn't the only odd feature of online reading that Nielsen has uncovered in studies conducted through the consulting business Nielsen Norman Group (Donald A. Norman is a cognitive scientist who came from Apple; Nielsen was at Sun Microsystems). A decade ago, he issued an "alert" entitled "How Users Read on the Web." It opened bluntly: "They don't."

In the eye-tracking test, only one in six subjects read Web pages linearly, sentence by sentence. The rest jumped around chasing keywords, bullet points, visuals, and color and typeface variations. In another experiment on how people read e-newsletters, informational e-mail messages, and news feeds, Nielsen exclaimed, "'Reading' is not even the right word." The subjects usually read only the first two words in headlines, and they ignored the introductory sections. They wanted the "nut" and nothing else. A 2003 Nielsen warning asserted that a PDF file strikes users as a "content blob," and they won't read it unless they print it out. A "booklike" page on screen, it seems, turns them off and sends them away. Another Nielsen test found that teenagers skip through the Web even faster than adults do, but with a lower success rate for completing tasks online (55 percent compared to 66 percent). Nielsen writes: "Teens have a short attention span and want to be stimulated. That's also why they leave sites that are difficult to figure out." For them, the Web isn't a place for reading and study and knowledge. It spells the opposite. "Teenagers don't like to read a lot on the Web. They get enough of that at school."

Those and other trials by Nielsen amount to an important research project that helps explain one of the great disappointments of education in our time. I mean the huge investment schools have made in technology, and the meager returns such funds have earned. Ever since the Telecommunications Act of 1996, money has poured into public-school classrooms. At the same time, colleges have raced to out-technologize one another. But while enthusiasm swells, e-bills are passed, smart classrooms multiply, and students cheer — the results keep coming back negative. When the Texas Education Agency evaluated its Technology Immersion Pilot, a $14-million program to install wireless tools in middle schools, the conclusion was unequivocal: "There were no statistically significant effects of immersion in the first year on either reading or mathematics achievement." When University of Chicago economists evaluated California schools before and after federal technology subsidies (the E-Rate program) had granted 30 percent more schools in the state Internet access, they determined that "the additional investments in technology generated by E-Rate had no immediate impact on meas-ured student outcomes." In March 2007, the National Center for Education Evaluation and Regional Assistance evaluated 16 award-winning education technologies and found that "test scores were not significantly higher in classrooms using selected reading and mathematics software products." Last spring a New York State school district decided to drop its laptop program after years of offering it. The school-board president announced why: "After seven years, there was literally no evidence it had any impact on student achievement — none."

Those conclusions apply to middle-school and high-school programs, not to higher education (which has yet to produce any similarly large-scale evaluations). Nevertheless, the results bear consideration by those pushing for more e-learning on campuses.

Backers, providers, and fans of new technology explain the disappointing measures as a matter of circumstance. Teachers didn't get enough training, they say, or schoolwide coordination was spotty, parents not sufficiently involved. Maybe so, to some extent, but Nielsen's studies indicate another source. Digitized classrooms don't come through for an off-campus reason, a factor largely overlooked by educators. When they add laptops to classes and equip kids with on-campus digital tools, they add something else, too: the reading habits kids have developed after thousands of hours with those same tools in leisure time.

To teachers and professors, a row of glistening new laptops in their classroom after a dozen years with nothing but chalk and blackboard, or a podium that has been transformed from a wooden stand into a multimedia console, can appear a stunning conversion. But to the average freshman walking through the door and finding a seat, it's nothing new. Our students have worked and played with computers for years. The Horatio Alger Association found that students in high school use the Internet four and a half hours per week for help with homework (The State of Our Nation's Youth, 2008-2009), while the National School Boards Association measures social networking at nine hours per week, much of it spent on homework help. The gap between viewpoints is huge. Educators envision a whole new pedagogy with the tools, but students see only the chance to extend long-established postures toward the screen. If digitized classrooms did pose strong, novel intellectual challenges to students, we should see some pushback on their part, but few of them complain about having to learn in new ways.

Once again, this is not so much about the content students prefer — Facebook, YouTube, etc. — or whether they use the Web for homework or not. It is about the reading styles they employ. They race across the surface, dicing language and ideas into bullets and graphics, seeking what they already want and shunning the rest. They convert history, philosophy, literature, civics, and fine art into information, material to retrieve and pass along.

That's the drift of screen reading. Yes, it's a kind of literacy, but it breaks down in the face of a dense argument, a Modernist poem, a long political tract, and other texts that require steady focus and linear attention — in a word, slow reading. Fast scanning doesn't foster flexible minds that can adapt to all kinds of texts, and it doesn't translate into academic reading. If it did, then in a 2006 Chronicle survey of college professors, fully 41 percent wouldn't have labeled students "not well prepared" in reading (48 percent rated them "somewhat well prepared"). We would not find that the percentage of college graduates who reached "proficiency" literacy in 1992 was 40 percent, while in 2003 only 31 percent scored "proficient." We would see reading scores inching upward, instead of seeing, for instance, that the percentage of high-school students who reached proficiency dropped from 40 percent to 35 percent from 1992 to 2005.

And we wouldn't see even the better students struggling with "slow reading" tasks. In an "Introduction to Poetry" class awhile back, when I asked students to memorize 20 lines of verse and recite them to the others at the next meeting, a voice blurted, "Why?" The student wasn't being impudent or sullen. She just didn't see any purpose or value in the task. Canny and quick, she judged the plodding process of recording others' words a primitive exercise. Besides, if you can call up the verse any time with a click, why remember it? Last year when I required students in a literature survey course to obtain obituaries of famous writers without using the Internet, they stared in confusion. Checking a reference book, asking a librarian, and finding a microfiche didn't occur to them. So many free deliveries through the screen had sapped that initiative.

This is to say that advocates of e-learning in higher education pursue a risky policy, striving to unite liberal-arts learning with the very devices of acceleration that hinder it. Professors think they can help students adjust to using tools in a more sophisticated way than scattershot e-reading, but it's a lopsided battle. To repeat, college students have spent thousands of hours online acquiring faster and faster eyes and fingers before they even enter college, and they like the pace. It is unrealistic to expect 19-year-olds to perch before a screen and brake the headlong flight, even if it is the Declaration of Independence in hypertext coming through, not a buddy's message.

Some educators spot the momentum and shrug their shoulders, elevating screen scanning to equal status with slow reading. A notable instance occurred last year, when in an essay in The New York Times, Leah Price, a professor of English at Harvard University, criticized a report from the National Endowment for the Arts — "To Read or Not to Read" (to which I contributed) — precisely for downgrading digital scanning. Her article contained some errors of fact, such as that the 2004 NEA report "Reading at Risk" excluded nonfiction, but correctly singled out the NEA distinction between screen reading and print reading. To Price, it's a false one: "Bafflingly, the NEA's time-use charts classify 'e-mailing' and 'surfing Web sites' as competitors to reading, not subsets of it." Indeed, she said, to do so smacks of guile: "It takes some gerrymandering to make a generation logging ever more years in school, and ever more hours on the BlackBerry, look like nonreaders." (In truth, high-school students do no more in-class reading today than they did 20 years ago, according to a 2004 Department of Education report.)

What we are seeing is a strange flattening of the act of reading. It equates handheld screens with Madame Bovary, as if they made the same cognitive demands and inculcated the same habits of attention. It casts peeking at a text message and plowing through Middlemarch as subsets of one general activity. And it treats those quick bursts of words and icons as fully sufficient to sustain the reading culture. The long book may go, Price concluded, but reading will carry on just as it did before: "The file, the list, the label, the memo: These are the genres that will keep reading alive."

The step not taken here is a crucial one, namely to determine the relative effects of reading different "genres." We need an approach that doesn't let teachers and professors so cavalierly violate their charge as stewards of literacy. We must recognize that screen scanning is but one kind of reading, a lesser one, and that it conspires against certain intellectual habits requisite to liberal-arts learning. The inclination to read a huge Victorian novel, the capacity to untangle a metaphor in a line of verse, the desire to study and emulate a distant historical figure, the urge to ponder a concept such as Heidegger's ontic-ontological difference over and over and around and around until it breaks through as a transformative insight — those dispositions melt away with every 100 hours of browsing, blogging, IMing, Twittering, and Facebooking. The shape and tempo of online texts differ so much from academic texts that e-learning initiatives in college classrooms can't bridge them. Screen reading is a mind-set, and we should accept its variance from academic thinking. Nielsen concisely outlines the difference: "I continue to believe in the linear, author-driven narrative for educational purposes. I just don't believe the Web is optimal for delivering this experience. Instead, let's praise old narrative forms like books and sitting around a flickering campfire — or its modern-day counterpart, the PowerPoint projector," he says. "We should accept that the Web is too fast-paced for big-picture learning. No problem; we have other media, and each has its strengths. At the same time, the Web is perfect for narrow, just-in-time learning of information nuggets — so long as the learner already has the conceptual framework in place to make sense of the facts."

So let's restrain the digitizing of all liberal-arts classrooms. More than that, given the tidal wave of technology in young people's lives, let's frame a number of classrooms and courses as slow-reading (and slow-writing) spaces. Digital technology has become an imperial force, and it should meet more antagonists. Educators must keep a portion of the undergraduate experience disconnected, unplugged, and logged off. Pencils, blackboards, and books are no longer the primary instruments of learning, true, but they still play a critical role in the formation of intelligence, as countermeasures to information-age mores. That is a new mission for educators parallel to the mad rush to digitize learning, one that may seem reactionary and retrograde, but in fact strives to keep students' minds open and literacy broad. Students need to decelerate, and they can't do it by themselves, especially if every inch of the campus is on the grid.

Mark Bauerlein is a professor of English at Emory University. His latest book, The Dumbest Generation: How the Digital Age Stupefies Young Americans and Jeopardizes Our Future (Or, Don't Trust Anyone Under 30), was published by Jeremy P. Tarcher/Penguin this year.

Which films are better than the books they are based on?

Can a film be better than the book? It doesn't happen often - but there are some great examples.

Many say that the Oscar-nominated film Brokeback Mountain was better than the Annie Proulx short-story it came from.

Which films are better than the books they are based on? Here is the latest selection of Your Views

SH (Cockle Bay) The Last of the Mohicans, only because the Olde Englysh language makes it sludgy to read while the movie barrels along. The 1970's tv series was fantastic.

Worst? Easy - The Beach! Story completely ruined by making Leo a hero.

Steven (Mt Cook, Wellington City) Blade Runner is far better than the Philip K Dick short story. In fact I would think the only time a movie is better is when it is a full length movie from a short story.

Fed Up Taxpayer, H (Hamilton) Agree with Shawshank Redemption and Jaws but can anyone really think the movie Gone with the Wind (absolutely dreadful acting such a disappointment was better than the book)I wish they would remake Gone with the Wind then it would stack up.

Shame the movie makers don't get into more books for movies have read some really amazing books that have never made it into a movie - example The Exile what a movie that would make.

My pick for worst adapation of a book series to movies would have to be The Bourne Trilogy - whatever books they were based on wasn't them - especially the Bourne Supremacy and Bourne Ultimatum they had absolutely nothing to do with the books at all. Loved the adapation of Jurassic Park felt it brought the book to life - sequels sucked.

Johnny (West Harbour) The Passion of the Christ.

Kiwimurray (Remuera) Gandalf (St Heliers) - it is interesting that you rate The Shining. Stephen King himself considered it the worst ever film made from his books. Mind you I also thought Cujo and Christine were pretty dire as movies. It is maybe slightly surprising that the ones that have received critical acclaim (Shawshank Redemption, Stand by Me and the Green Mile) are all based on novellas or short stories. I just hope they never try to film the Dark Tower series from King. That would have to be about 400 hours long!

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Porn passed over as Web users become social: author

By Belinda Goldsmith

CANBERRA (Reuters) - Social networking sites are the hottest attraction on the Internet, dethroning pornography and highlighting a major change in how people communicate, according to a web guru.

Bill Tancer, a self-described "data geek", has analyzed information for over 10 million web users to conclude that we are, in fact, what we click, with Internet searches giving an up-to-date view of how society and people are changing.

Some of his findings are great trivia, such as the fact that elbows, belly button lint and ceiling fans are on the list of people's top fears alongside social intimacy and rejection.

Others give an indication of people's interests or emotions, with an annual spike in searches for anti-depression drugs around Thanksgiving time in the United States.

Tancer, in his new book, "Click: What Millions of People are Doing Online and Why It Matters", said analyzing web searches did not just reflect what was happening online but gave a wider picture of society and people's behavior.

"There are some patterns to our Internet use that we tend to repeat very specifically and predictably, from diet searches, to prom dresses, to what we do around the holidays," Tancer told Reuters in a telephone interview.

Tancer, general manager of global research at Hitwise, an Internet tracking company, said one of the major shifts in Internet use in the past decade had been the fall off in interest in pornography or adult entertainment sites.

He said surfing for porn had dropped to about 10 percent of searches from 20 percent a decade ago, and the hottest Internet searches now are for social networking sites. Continued...

Hurricane Assistance at Harris County Public Library in Houston, TX

Many Harris County Public Libraries are now open, with power & Internet. Anyone can come in and use a computer to apply for FEMA relief, send email, etc. People are also welcome to plug in and charge cell phones, computers and such. Our branches also have wireless Internet, so if people have a laptop, they can bring it and get Internet access. Don’t forget, we also have plenty of books, DVDs, CDs, and other materials for check out. If people just need a place with A/C to relax for awhile, we’re here for that too. Customers can also pick up free Prescription Discount Cards.

Fines will be waived from 9/11/08 on returned materials until further notice.

Our website is http://www.hcpl.net/
We have a Hurricane Relief page at http://www.hcpl.net/popups/hurricane_ike.html with links to resources people need.

In addition to updates on our website, we are providing updates on branch openings on the following services:
Facebook - http://www.new.facebook.com/home.php#/pages/Houston-TX/Harris-County-Public-Library/
MySpace - www.myspace.com/hcpl
Twitter - http://twitter.com/harriscountypl

Please check our website for a complete list of branches open with power & Internet and without power. This is being updated regularly on the website and on Facebook, MySpace, and Twitter.

Four of our branches are closed right now: Cy-Fair, Fairbanks, Tomball; the Evelyn Meador branch (Seabrook) is closed indefinitely.

Instant Books from the Library

Posted by: Stephen Wildstrom

I spent a good part of my college years in what was then called the Undergraduate Library at the University of Michigan. Getting your hands on a book that was assigned reading for a course was often matter of luck—there never seemed to be enough copies.

Starting in October, the library, now renamed the Shapiro Library, will have infinite copies available, at least of certain books. Using a technology called the Espresso Book Machine from On Demand Books will offer books bound and printed in five to seven minutes. Most titles will cost $10, some shorter books will go for as little as $6.

There a catch, of course. Only books out of copyright are available. So the instant printing will be limited to books published prior to 1923 and books made freely available through other sources, such as the Open Content Alliance.

The Michigan library system has digitized about 2 million titles, both through its own efforts and through work with the Google Book Search project.

UPDATE: The University of Michigan has put up a video of the Espresso Book Machine in action.

Library Whistle-Blower Says She Was Punished

Clerk Says Her Pay Was Frozen, Duties Taken Away

SACRAMENTO, Calif. -- A Sacramento library worker is filing complaints alleging that managers froze her pay and took away duties after she blew the whistle on an overbilling scandal three years ago.

Clerk Diane Boerman is seeking back pay, penalties, attorney fees and damages through complaints filed with the state Labor Commission and the Sacramento Public Library Authority.

Her attorney expects the complaints will lead to a lawsuit. Library officials aren't immediately commenting.

Wednesday, September 10, 2008

All villages in India to get libraries by 2020

If all goes according to plan, each village and each school in India is set to have a library by the year 2020. This is the ambitious goal that the National Mission on Libraries, it is a proposal currently being finalised by the government, has set for itself.

The gargantuan project is expected to cost Rs 484 crores over a period of five years as estimated by the Union ministry of culture which is dealing with the mission. The ministry’s proposal has already got "in-principle"approval of the Planning Commission and is now awaiting the nod of the expenditure finance committee (EFC). Only after clearance by the EFC can the proposal be put before the Union Cabinet for final approval.

Google copying, storing more stories fit for print

Extra, extra: Google expanding newspaper section of digital library to include older articles

MICHAEL LIEDTKE
AP News

Sep 08, 2008 15:08 EST

Google Inc. is trying to expand the newspaper section of its online library to include billions of articles published during the past 244 years, hoping the added attraction will lure even more traffic to its leading Internet search engine.

The project announced Monday extends Google's crusade to make digital copies of content created before the Internet's advent, so the information can become more accessible and, ultimately, Google can make more money from ads shown on its Web site.

As part of the latest initiative, Google will foot the bill to copy the archives of any newspaper publisher willing to permit the stories to be shown for free on Google's Web site. The participating publishers will receive an unspecified portion of the revenue generated from the ads displayed next to the stories.

Google is touting the program as a way to give people an easier way to find a rich vein of history. The initiative also is designed to provide a financial boost to newspaper publishers as they try to offset declining revenue from print editions that are losing readers and advertisers to online news sources.

"I believe this could be a turning point for the industry," said Pierre Little, publisher of the Quebec Chronicle-Telegraph, which touts itself as North America's oldest newspaper, with editions dating to 1764. "This helps us unlock a bit of an asset that had just been sitting within the organization."

Besides the Chronicle-Telegraph, other newspapers that have already agreed to allow Google to copy and host their archives include the Pittsburgh Post-Gazette and the St. Petersburg Times in Florida. Google declined to specify how many other papers have signed up or how much the company has budgeted for the project.

Google already has committed to spending tens of millions of dollars to make electronic copies of books and other material kept in dozens of libraries around the world. The book-copying program, launched in 2004, has triggered a lawsuit from group of authors and publishers that alleges it infringes on copyrights — a charge that Google is fighting.

Major newspapers including The New York Times and The Washington Post began to give Google's search engine access to some of their electronic archives in 2006. But those results frequently displayed only news snippets. Readers often had to pay a fee to see the entire article.

Besides being free, the newspaper archives hosted by Google will be presented in the same way they originally appeared in print, said Adam Smith, Google's product management director.

Finding the old newspaper stories initially will require searching through Google's "news" or "news archive" section. The newspaper archives should start showing up on Google's main results page within the next year, Smith said.

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On The Net:

http://news.google.com/archivesearch